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The Write Moveby Bob HostetlerThe
recently-announced Mad Anthony Writer’s Conference and Book Festival,
slated for April 21-23 at the Hamiltonian Hotel, is the right move for a city
that continues to seek (and often find) positive new ways to distinguish
itself. The event will include an impressive array of writers speaking on
writing topics, as well as a free book festival and book signings by area
authors. As a big fan
of—and frequent speaker at—writer’s conferences, I applaud
the initiative and vision of Vicki Ryan ( I was a writer long
before I attended my first writer’s conference. In fact, by that time,
I was a magazine editor, and my first exposure to a writer’s conference
(the St. David’s Writer’s Conference, at that time based in Why? First, because
there is so much to learn if one aspires to write for publication. Whether
or not a person has earned a degree in communications, journalism, or
creative writing, such college programs teach much of the mechanics of
writing and reporting, but not so much (if at all) about such critical areas
as writing in a specific genre, crafting query letters, compiling a book
proposal, evaluating markets, submitting your work to editors, negotiating
contracts, acquiring an agent, and so on (some of which will be tackled at
the Mad Anthony Writer’s Conference). A writer’s
conference is a prime opportunity to learn some of the highly specialized
knowledge that is essential to writing for publication. I used to perform
paid professional critiques of aspiring writers’ manuscripts. I stopped
doing that, because I was too often frustrated by the amount of
work and teaching the writer needed before the manuscript could possibly be
made ready for publication. So I decided to
redirect my efforts into teaching at writer’s conferences, trying to
help serious writers get better. I now have, on my office bookshelf a stack
of more than a dozen books published by men and women I’ve taught at
writer’s conferences. These conferences—the good ones, at
least—really do work. I am also a fan of
writer’s conferences because it is important for writers to meet others
who share their passion and might impart some wisdom. In addition, as my
author friend Terry Whalin says, “Like many other kinds
of businesses, the writing business is relational. Talent, craft and skill do
enter the consideration but it's also who
you know.” Cynics may say, “I knew it! It’s not ‘what you know, it’s who you know.’” However,
as a realist, I say, “Successfully writing for publication is all about
relationships, and writer’s conferences help a person develop those relationships.” Finally, the main
reason I so frequently urge aspiring writers to get into the habit of
regularly attending writer’s conferences: More and more magazine and
book publishers say that they are “no longer accepting unsolicited
manuscripts.” If that’s the case, how is
any would-be writer supposed to get a foot in an editor’s or
agent’s door? The answer: writer’s conferences. Many conferences
(someday including, I hope, the Mad Anthony Writer’s Conference) give
writers the opportunity to meet editors and show them a few pages of writing.
At some conferences, writers sign up for such opportunities at registration.
At others, writers can arrange for paid appointments or critiques. At many,
several writers go home after the conference having heard the magic words,
“This is good; can you make a few changes and send it to me?” or,
even better, “This is great; can I take this back with me and show it
to my editorial board?” With the advent of
the Mad Anthony Writer’s Conference and Book Festival in Hamilton,
aspiring writers in our area have an unprecedented opportunity: Instead of
paying for airfare and a hotel room to travel to a writer’s conference,
they can enjoy and learn from an amazingly affordable ($60 registration) and
exciting conference practically in their own back yard. That’s the write move, not
only for This article appeared
in the More articles by Bob Hostetler... Copyright © 2005, Bob Hostetler |